Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Here are all the paintings of Sebastien Bourdon 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
70922 Abraham and three angels Sebastien Bourdon Abraham and three angels Medium Oil on canvas Dimensions 77 x 76 cm
70455 Bacchus and Ceres with Nymphs and Satyrs Sebastien Bourdon Bacchus and Ceres with Nymphs and Satyrs Medium Oil on canvas Dimensions Expression error: Missing operand for *51 ?? 77.5 cm
71111 drottning christina Sebastien Bourdon drottning christina se
70945 Fall of Simon Magus Sebastien Bourdon Fall of Simon Magus Medium Oil on canvas
78134 Karl X Gustav Sebastien Bourdon Karl X Gustav Date 1652(1652) or 1653(1653) Medium Oil on canvas Dimensions 102 x 82 cm (40.2 x 32.3 in) cyf
76205 King Charles X Gustav of Sweden Sebastien Bourdon King Charles X Gustav of Sweden 1652(1652) or 1653(1653) Oil on canvas 102 ?? 82 cm (40.2 ?? 32.3 in) cjr
87586 Le Camp de Bohemiens Sebastien Bourdon Le Camp de Bohemiens Date 17th century Medium Oil on canvas Dimensions 66.7 x 88.5 cm (26.3 x 34.8 in) cjr
70834 Le crucifiement de Saint Pierre Sebastien Bourdon Le crucifiement de Saint Pierre Medium Oil on canvas Dimensions Unknown
75076 Mineralogist Sebastien Bourdon Mineralogist Date 1883 Medium Oil on canvas cyf
69087 Montpellier Sebastien Bourdon Montpellier 1652-53 olja pa duk 72x58 se
83372 Portrait of Ebba Sparre Sebastien Bourdon Portrait of Ebba Sparre . 1653(1653) Medium Oil cyf
96038 Presentation in the Temple Sebastien Bourdon Presentation in the Temple circa 1644(1644) Medium oil on canvas cyf
80674 Queen Christina Sebastien Bourdon Queen Christina Medium Oil on canvas Dimensions 72 x 58 cm (28.3 x 22.8 in) cjr
84870 Queen Christina Sebastien Bourdon Queen Christina Oil on canvas Dimensions 72 x 58 cm (28.3 x 22.8 in) cyf
75498 Queen Christina of Sweden on Horseback Sebastien Bourdon Queen Christina of Sweden on Horseback 1653(1653) Oil on canvas 383 X 291 cm (150.8 X 114.6 in) cjr
77363 Queen Christina of Sweden on Horseback Sebastien Bourdon Queen Christina of Sweden on Horseback 1653 stor Date 1653(1653) Medium Oil on canvas Dimensions 383 ?? 291 cm (150.8 ?? 114.6 in) cyf
69002 Sacrifice of Noah Sebastien Bourdon Sacrifice of Noah c. 1640 oil on canvas
72093 Solomon making a sacrifice to the idols Sebastien Bourdon Solomon making a sacrifice to the idols Solomon making a sacrifice to the idols cjr
84504 The Beggars Sebastien Bourdon The Beggars Date between 1635(1635) and 1640(1640) Medium Oil on wood Dimensions Height: 49 cm (19.3 in). Width: 65 cm (25.6 in). cjr
73396 The Mineralogist Sebastien Bourdon The Mineralogist 1883 Oil on canvas cjr

Sebastien Bourdon
(2 February 1616 - 8 May 1671) was a French painter and engraver. His chef d'œuvre is The Crucifixion of St. Peter made for the church of Notre Dame. The Finding of Moses, c. 1650 (National Gallery of Art, Washington)Bourdon was born in Montpellier, France, the son of a Protestant painter on glass. He was apprenticed to a painter in Paris. In spite of his poverty he managed to get to Rome in 1636; there he studied the paintings of Nicolas Poussin, Claude Lorrain and Caravaggio among his eclectic selection of models, until he was forced to flee in 1638, to escape denunciation by the Inquisition for his Protestant faith. Bourdon's facility rendered him adept at portraiture, whether in a dashing Rubens manner or in intimate, sympathetic bust-length or half-length portraits isolated against plain backgrounds that set a formula for middle-class portraiture for the rest of the century, landscapes in the manner of Gaspar Dughet or cappricci of ruins, mythological "history painting" like other members of Poussin's circle or the genre subjects of the Dutch Bamboccianti who were working in Rome. His eclectic range of styles have given art historians exercise in tracing his adaptation of his models, while the lack of an immediately recognizable "Bourdon style" has somewhat dampened public appreciation. In 1652 Christina of Sweden made him her first court painter. Bourdon spent most of his working career outside France, where, though he was a founding member of the Academie de peinture et de sculpture (1648), he was for long largely dismissed as a pasticheur, a situation partly rebalanced by a comprehensive exhibition in 2000 of his work at the Musee Fabre, where the collection includes a fine Lamentation painted in the last years of his life. His success required the establishment of an extensive atelier, where, among his other pupils worked Nicolas-Pierre Loir and Pierre Mosnier. He died in Paris in 1671.
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